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PIA GALLO LLC

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PIA GALLO LLC

  • Old Masters
  • Modern Masters
  • Drawings
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   The March of Silenus, c. 1652    after Peter Paul Rubens (Flemish, Siegen 1577–1640 Antwerp) Woodcut, c 1652. Hollstein, IX, p. 188, no. 16, first state of two (before Rubens' address is removed). 445 x 337 mm; based on Rubens’s painting in M

Christoffel Jegher

Flemish, 1596–1652/53

Christoffel Jegher

Flemish, 1596–1652/53

   The March of Silenus, c. 1652    after Peter Paul Rubens (Flemish, Siegen 1577–1640 Antwerp) Woodcut, c 1652. Hollstein, IX, p. 188, no. 16, first state of two (before Rubens' address is removed). 445 x 337 mm; based on Rubens’s painting in M

The March of Silenus, c. 1652

after Peter Paul Rubens (Flemish, Siegen 1577–1640 Antwerp)
Woodcut, c 1652. Hollstein, IX, p. 188, no. 16, first state of two (before Rubens' address is removed). 445 x 337 mm; based on Rubens’s painting in Munich; the preliminary drawing is in the Louvre,  (inv. 20.288) retouched by Rubens. Provenance: Prosper Henry Lankrink (1618-1680), Lugt 2090, Anne-Marie Logan. 

Notes on Prints, William M Ivins, Jr. New York, 1930, p 95, Drunken Silenus, illustrated p 94: “In addition to publishing engravings of his work, Rubens also issued a series of large woodcuts (cut by Christoffel Jegher) which were the last great woodcuts to be made for a period of almost two hundred years....”

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Master Drawings is up all week! Come to @tambarangallery to see an amazing selection of Old Master drawings. See you there! #masterdrawings #masterdrawingsnewyork
Eugène Delacroix, Un Forgeron (A Blacksmith), 1833.
🖌 Aquatint and drypoint.
🖌 Two Delacroix exhibitions are currently on view at @metmuseum , displaying both works on paper and paintings.
🔍 Delteil 19.iii-iv, with initials ‘E.D,&rsqu
🖌 Gabriel and Nicholas Perelle, father and son, were 17th century French artists known for engravings of Parisian landscape scenes.
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🖌 Each of these engravings come from the Veues Des Belles Maisons Des Environs De Paris, in which spectacular gard
Italian School, Naples, Villa di Pompejo, circa 1800.
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🖌 This splendid, hand-painted, fan-shaped #gouache depicts the #VillaofDiomedes among the ruins of #Pompeii, about 50 years after the excavations began in 1748. .
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🖌 This fan is hand-painted